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What's the Big Deal?
E.M. Swift
February 07, 1989
Supermodel Elle Macpherson can't understand what it is that others see in her
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February 07, 1989

What's The Big Deal?

Supermodel Elle Macpherson can't understand what it is that others see in her

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To be honest, she looks harried. Not striking or statuesque or sexy; not adorable or kittenish or breathtaking; and certainly not the way you're used to seeing her in photographs—smiling naturally and about to burst out of one of those spandex or Lycra numbers that have helped make Elle Macpherson a household name. Nope. Harried, as only a New Yorker can look harried. And why not? Car trouble she had while spending a few days in the Adirondacks has forced her to cancel out on a fashion show for the first time in memory; she's a half hour late for another appointment; and she has spent the last seven hours in highway traffic.

"You want something to drink or eat?" she asks, forcing that familiar toothy smile, when you meet her outside her apartment building. She's in jeans, sunglasses, no makeup. There's a blue duffel slung over her shoulder. "Beer? Juice? Soda? There's nothing in the fridge but venison sausage."

Venison sausage? You tell her no, but then follow in the wake of her long-legged stride as she heads to the corner market and watch as she slaps a $10 bill on the counter for a six-pack of Mexican beer and gets a quarter back in change. No one recognizes her. One more harried New Yorker.

Elle rents a fourth-floor walk-up apartment in Greenwich Village, and now she bounds up the stairs like an athlete, despite the duffel on her back, which weighs a good 40 pounds. "I can always tell if I've partied too hard when I make this climb," she says a little breathlessly. You make a mental note to cut back on your own partying, limited though it has been, for the climb has just about finished you. Fourth-floor walk-ups are the domain of the young and slender.

Upon entering the apartment you pass through a hallway lined with framed magazine covers. All of them have her name on them, but they bear the likenesses of women other than Elle, strange women, exotic women, with eyes that speak only to you. Macpherson's husband, Gilles Bensimon, a French fashion photographer, has taken these photographs for the American edition of the French magazine Elle. The poor man is never rid of the company of beautiful women. Macpherson tells you he's in Paris now, working. "Please go in and have a seat," she says. "I'm going to slip into something more comfortable."

Of course you are, you sigh. There are men who would slay to hear these words from Elle Macpherson. But you are a professional, and you wander into the living room with ice water in your veins. It's decorated in a sort of postpoverty photo-deco style: functional clutter, overfilled bookshelves, the wall a collage of blown-up snapshots and portraits of Elle, Gilles and friends. Mostly Elle. Mostly clothed in something more comfortable. You resist the temptation to swipe a snapshot and, instead, move to the bookcase, where you remove a paperback that is creased like the face of a farmer. It's New York on Twenty-Five Dollars a Day, 1982-83 edition, and it's inscribed from a friend: "To Elle."

"That was my bible," she says, handing you a beer and settling into the corner of the couch, tucking her legs beneath her the way women do. She's wearing her blue silk pajamas. At least you assume they are silk. At the very least, they are shiny. Macpherson takes a deep draft of her beer from the long-necked bottle. You follow suit. She doesn't look as harried as she did. You, on the other hand, feel as if you look more harried. Perhaps, you reason, it was the climb.

Eleanor Gow was born in Sydney in 1965, daughter of Peter Gow, a sound engineer and entrepreneur. Her parents eventually divorced, and when Elle was eight, her mother, Frances, married lawyer Neil Macpherson, and Elle took her stepfather's name. She lived in Sydney until she was 17, was active in sports, particularly aquatic sports—water ballet, sailing, freestyle swimming and backstroke. She did a bit of modeling, but Elle was a good student with very different goals in mind. When she took the Australian equivalent of the College Boards, she tested in the top 5% of her age group. She was accepted at Macquarie University in Sydney and intended to study law.

Neil Macpherson rewarded his stepdaughter for her good grades by giving her a ski trip to Colorado in 1982. She arrived with $2,000 in hand and no plane ticket home, intending to ski for a couple of weeks and maybe travel a bit. On the slopes a modeling-agency representative saw her and invited her to New York for tests. "I thought I'd give it a try, make a bit of money and then go back home," she says. "I wasn't sure about the business of modeling. I thought it was so full of rubbish and, you know, that I was better than that."

With her family's support, Macpherson flew to New York. "My mother's only 17 years older than I," she says, "and her attitude was, Go, see the U.S. She was happy I was breaking out of the middle-class mold."

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