member of the Met staff who has gotten the closest to Finch is Posner. When
Posner returns to the Payson complex, inevitably someone rushes out from the
Mets' offices asking, "Did he say anything? What did he say?"
Posner takes out
said, 'When your mind is empty like a canyon you will know the power of the
taxed by Finch's obvious eccentricities, and with the exception of the obvious
burden on the catchers, the Mets, it seems, have an extraordinary property in
their camp. But the problem is that no one is sure if Finch really wants to
play. He has yet to make up his mind; his only appearances are in the canvas
enclosure. Reynolds moans in despair when he is told Finch has arrived.
Sometimes his ordeal is short-lived. After Finch nods politely at Reynolds and
calls down "Namas-te!" (which means "greetings" in Sanskrit),
he throws only four or five of the terrifying pitches before, with a gentle
smile, he announces "Namas-te!" (it also means "farewell") and
gets into the car to be driven away.
manifestation of Finch's reluctance to commit himself entirely to baseball has
been his refusal to wear a complete baseball uniform. Because he changes in his
rooming house, no one is quite sure what he will be wearing when he steps
through the canvas flap into the enclosure. One afternoon he turned up sporting
a tie hanging down over the logo on his jersey, and occasionally—as Christensen
noticed—he wears a hiking boot on his right foot. Always, he wears his baseball
cap back to front—the conjecture among the Met officials is that this sartorial
behavior is an indication of his ambivalence about baseball.
In hopes of
understanding more about him, in early March the Mets called in a specialist in
Eastern religions, Dr. Timothy Burns, the author of, among other treatises,
Satori, or Four Years in a Tibetan Lamasery. Not allowed to speak personally
with Finch for fear of "spooking him," Burns was able only to speculate
about the Mets' newest player.
sources from within the Met organization, Burns told a meeting of the club's
top brass that the strange ballplayer in their midst was very likely a trapas,
or aspirant monk.
A groan is said
to have gone up from Nelson Doubleday. Burns said that Finch was almost surely
a disciple of Tibet's great poet-saint Lama Milaraspa, who was born in the 11th
century and died in the shadow of Mount Everest. Burns told them that Milaraspa
was a great yogi who could manifest an astonishing phenomenon: He could produce
"internal heat," which allowed him to survive snowstorms and intense
cold, wearing only a thin robe of white cotton. Finch does something similar—an
apparent deflection of the huge forces of the universe into throwing a baseball
with bewildering accuracy and speed through the process of siddhi, namely the
yogic mastery of mind-body. He mentioned that The Book of Changes, the I Ching,
suggests that all acts (even throwing a baseball) are connected with the
highest spiritual yearnings. Utilizing the Tantric principle of body and mind,
Finch has decided to pitch baseballs—at least for a while.