WWE Turning Orlando’s Amway Center Into ‘WWE ThunderDome’ for TV Production Going Forward

After basing its television production out of the WWE Performance Center since March, WWE is setting up shop at Orlando’s NBA arena and plans to take advantage of features not available at the previous location.

WWE has made it official: This Sunday’s SummerSlam is taking place at the Amway Center in Orlando.

WWE will also take residency in the Amway Center for the foreseeable future, holding Raw, SmackDown, and pay-per-views in the building, which will be rechristened the WWE ThunderDome.

Kevin Dunn, WWE’s executive vice president of television production, confirmed the news to Sports Illustrated.

“When people think of WWE, most think of the spectacle that we are, but it was just impossible to put on a spectacle in the Performance Center,” said Dunn. “Moving to Amway, and unveiling the ThunderDome, the opportunities are limitless.”

The new setting will be unveiled this Friday on SmackDown, complete with pyrotechnics, drone cameras, and video boards.

“We can now do things production-wise that we could never otherwise do,” said Dunn. “We’re flying drones in the arena, we are putting a roof inside the Amway Center, and we’ll be able to project content onto the roof. So when a big star like Drew McIntyre comes down to the ring, the whole arena will turn into his content with lasers, pyro, smoke, projections on the top of the building and on the floor. It will be a big, beautiful entrance, better than WrestleMania.”

WWE programming has missed the energy provided by a live crowd, and the shows at the Amway Center will feature virtual fans via live video on LED boards. WWE has partnered with the Famous Group to enhance its in-arena atmosphere, an element that has struggled amidst empty arena shows during the pandemic. Beginning during Raw, people may register for their virtual seat at www.WWEThunderDome.com.

“Like the NBA, we’re doing virtual fans, but we’re also creating an arena-type atmosphere,” said Dunn. “We won’t have a flat board, we’ll have rows and rows and rows of fans. We’ll have almost 1,000 LED boards, and it will recreate the arena experience you’re used to seeing with WWE. The atmosphere will be night and day from the Performance Center. This is going to let us have a WrestleMania-level production value, and that’s what our audience expects from us. We are also going to put arena audio into the broadcast, similar to baseball, but our audio will be mixed with the virtual fans. So when fans start chants, we’ll hear them.

“We start on Friday on SmackDown, and it will be a learning experience. We have two days of testing, and we’re going to practice like hell, then we’re off to the races. We may have fans for certain entrances, standing up and cheering for the typical babyfaces. But someone like Bray Wyatt, who is so character-driven, the entire Amway Arena will be one big Fiend-dom. That’s our opportunity to be different from sports, where we can present these larger-than-life characters uniquely. This will be great for people watching at home across the globe, as well as the ones participating.”

The venue will be a closed set, and Dunn confirmed that WWE will continue to mandate COVID-19 testing, social distancing, and wearing a mask when off-camera.

“We’re going to have a very tight set that is focused on safety for our performers,” said Dunn. “Everyone is going to be tested all the time. It’s really important that our performers feel safe.”

There is still no plan in place to bring fans into the venue, which is why Dunn stated there is the potential to remain at the Amway through the end of the year.

“It’s open-ended,” said Dunn. “Obviously, we want to get back in the live event business. We rely so much on our fans. The Amway people have been fantastic to work with, and we look forward to staying as long as it takes.”

After 38 years of television work in WWE, this is an entirely new experience for Dunn and his production team.

“If you asked me a year ago, I’d have said we’ve done everything,” said Dunn. “But this is going to be an interactive experience, and it’s something like I’ve never produced before. Producing the show is the best part of my job, and this is going to be a historic challenge for our team to pull off. We’re excited to pull it off.”

Strikingly similar to pro sports, WWE’s shows have not been the same without crowds. Dunn is optimistic that the ThunderDome experience will add a significant, consistent jolt of electricity to the WWE product.

“We’re grateful and so appreciate the fans are hanging with us,” said Dunn. “It’s been tough. The shows haven’t been what we’d like them to be, and we’d be dishonest saying anything else. We miss our fans. Our fans make our shows. Without them, it’s been really challenging. I can’t wait to see the ThunderDome full of 1,000 people, giving us the energy we need to make this as entertaining as possible. I think people watching and participating are really going to enjoy this, and it’s going to make people say, ‘Wow, WWE, it’s back.’”

Justin Barrasso can be reached at JBarrasso@gmail.com. Follow him on Twitter @JustinBarrasso.


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Justin Barrasso
JUSTIN BARRASSO